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| D.J. CUT-UP'S & LIVE PERFORMANCES BY GRAND WIZARD THEODORE |
| Total Mixes: 13, Duration: 01:53:35 |
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A summarised biography of Grand Wizard Theodore created using Google Gemini in January 2026 can be found at the bottom of this page |
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Click on the 'Release Title' to view the full details of each release |
| Release Category | Release Title | Label | Catalogue # | Year | Mixer(s) | Mix Title | Length |
|---|---|---|---|---|---|---|---|
| D.J. Cut-Up - Legal | Wild Style Soundtrack | Animal | CHR1453 | 1983 | Grand Wizard Theodore & Kevie Kev Rockwell | MILITARY CUT Scratch Mix | 00:03:36 |
| D.J. Cut-Up - Legal | Wild Style Soundtrack | Animal | CHR1453 | 1983 | Grand Wizard Theodore & Kevie Kev Rockwell | GANGBUSTERS SCRATCH MIX | 00:01:19 |
| D.J. Cut-Up - Legal | Wild Style Soundtrack (2) | Arrow Films | FCD2761 | 2025 | Grand Wizard Theodore | SCRATCH MIX OUTTAKE 1 | 00:02:57 |
| D.J. Cut-Up - Legal | Wild Style Soundtrack (2) | Arrow Films | FCD2761 | 2025 | Grand Wizard Theodore | SCRATCH MIX OUTTAKE 2 | 00:02:10 |
| D.J. Cut-Up - Legal | Wild Style Soundtrack (2) | Arrow Films | FCD2761 | 2025 | Grand Wizard Theodore | SCRATCH MIX OUTTAKE 3 | 00:02:59 |
| Live Old School Hip Hop | Hip Hop/Funk/Dance Classics Volume 1 | Music Of Life | SPOCK3 | 1991 | Grand Wizard Theodore with The Fantastic Romantic 5 | THE BATTLE AT HARLEM WORLD 1981 Part 2 | 00:18:28 |
| Live Old School Hip Hop | Hip Hop/Funk/Dance Classics Volume 3 | Music Of Life | MOLLP030 | 1993 | Grand Wizard Theodore with The Fantastic Romantic 5 | HIP HOP THROWDOWN Part 5 | 00:14:38 |
| Live Old School Hip Hop | Live Convention '80 | Disc-O-Wax | DW2003 | 2008 | Grand Wizard Theodore with The Fantastic Romantic 5 & Soul Sonic Force | LIVE CONVENTION '80 Ecstasy Garage Disco Side B | 00:20:11 |
| Live Old School Hip Hop | Live Convention '82 | Disco Wax | DW6032 | 1982 | Grand Wizard Theodore with Master Rob, Kevie Kev (Waterbed Kev) & Rubie Dee | LIVE CONVENTION '82 Side A | 00:15:33 |
| Live Old School Hip Hop | Live Convention '82 | Disco Wax | DW6032 | 1982 | Grand Wizard Theodore with The Treacherous Three & Busy Bee | LIVE CONVENTION '82 Side B | 00:10:52 |
| Live Old School Hip Hop | Live M.C. Battle From Harlem World 1981 | Slammin' | 712571 | 1998 | Grand Wizard Theodore with The Fantastic Romantic 5 | THE BATTLE AT HARLEM WORLD 1981 | 00:11:20 |
| Live Old School Hip Hop | Wild Style Soundtrack | Animal | CHR1453 | 1983 | Grand Wizard Theodore with Busy Bee & Lil Rodney Cee | M.C. BATTLE | 00:03:09 |
| Live Old School Hip Hop | Wild Style Soundtrack | Animal | CHR1453 | 1983 | Grand Wizard Theodore & Kevie Kev Rockwell with The Fantastic Freaks | AT THE DIXIE | 00:06:24 |
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Grand Wizard Theodore (Theodore Livingston) is a legendary figure in hip-hop history, best known as the inventor of the scratching technique. His contributions in the late 1970s transformed the turntable from a playback device into a musical instrument. Here is a summary of his history and impact. The Origin Story (1975) The most famous lore in DJ culture is the "accidental" invention of the scratch. As a teenager in the Bronx, Theodore was practicing in his bedroom when his mother entered to tell him to turn the music down. To keep his place in the record while she spoke, he held the vinyl and moved it back and forth. He realized the rhythmic "rubbing" sound had a unique musical quality. Key Contributions The Scratch: While others may have manipulated vinyl, Theodore was the first to formalize "scratching" as a rhythmic technique used in a performance. The Needle Drop: He pioneered the "needle drop" or "drop-in," where a DJ drops the needle exactly on the start of a beat or a specific sound without looking, relying on muscle memory and marking the vinyl. Lyrical Five/Fantastic Five: He led the group Grandwizard Theodore & the Fantastic Five, known for their high-energy performances and the classic 1982 single "Can I Get A Soul Clap." Legacy and Media Theodore's skills were immortalized in the 1983 film "Wild Style," the first major motion picture focused on hip-hop culture. In the film, he plays himself, showcasing the scratching techniques that would eventually become a fundamental element of "turntablism." "He didn't just play the records; he played the turntable like a guitar." - Common sentiment among hip-hop historians. |