Releases by Mixer / D.J.

MR. MIXX

Total Mixes & D.J. Cut-Ups: 11, Duration: 01:02:15
Click on the 'Release Title' to view the full details of each release

Year Release Title Label Mix Title Length
1985What I LikeFresh BeatWHAT I LIKE Scratch Version00:07:03
19862 Live Is What We AreLuke SkyywalkerMR. MIXX ON THE MIX!!00:05:12
1987Move Somethin'Luke SkyywalkerMEGA-MIXX II00:03:07
1989As Nasty As They Wanna BeLuke SkyywalkerMEGA MIXX III00:05:44
1990Banned In The U.S.A.LukeMEGA MIX IV00:03:23
1991Sports WeekendLukeMEGA MIX V00:03:36
1996Shake A Lil' Somethin'Lil' JoeMEGA MIXX 600:03:09
1997Bass Hits From Da Bottom ILil' JoeBASS HITS FROM DA BOTTOM VOL I Mega Mixx00:10:38
1997Bass Hits From Da Bottom IILil' JoeBASS HITS FROM DA BOTTOM VOL II Mega Mixx00:09:09
1997Lil' Joe's Rap Hits 1Lil' JoeLIL' JOE'S RAP HITS VOL. 1 Mega Mixx00:08:14
1999Scratch MastersStrictly BiznessMEGA-MIXX II00:03:00

Information:


Below is a summarised biography of Mr. Mixx created using Google Gemini in January 2026...

David Hobbs, professionally known as Mr. Mixx, is a cornerstone of hip-hop history. As the co-founder and primary DJ/producer for the legendary Miami bass group 2 Live Crew, he was the architect behind the booming, high-tempo sound that defined an entire era of Florida music. Here is a summary of his contributions and history:

Origins and Formation

The California Connection: Originally from California, Mr. Mixx co-founded 2 Live Crew in 1984 alongside Fresh Kid Ice and Amazing Vee.
The Move to Miami: After releasing their first single "The Revelation," the group moved to Miami, where they eventually linked up with Luther Campbell (Uncle Luke). This move shifted the trajectory of hip-hop by establishing the "Miami Bass" sound.

Technical Innovation & Style

The 808 Master: Mr. Mixx is credited with pioneering the heavy use of the Roland TR-808 drum machine. He pushed the low-end frequencies to their limits, creating the "bottom-heavy" sound that became a prerequisite for car audio culture in the late 80s and 90s.
Turntablism: Beyond production, he was a highly skilled scratch DJ. His ability to blend lightning-fast cuts with high-BPM (Beats Per Minute) dance tracks separated 2 Live Crew from the slower, more methodical styles of East Coast hip-hop.

Historical Significance

The First Amendment Battle: Mr. Mixx produced the tracks on the 1989 album As Nasty As They Wanna Be. This record became the center of a landmark legal case regarding obscenity and freedom of speech, eventually leading to a victory for artistic expression in the U.S. Supreme Court.
Sampling Prowess: He was a master of the "megamix" style, seamlessly weaving together samples from rock, soul, and pop into high-energy club anthems.

"Mr. Mixx didn't just play the records; he engineered a frequency that changed how people built car stereos and how clubs felt the music."