Releases by Mixer / D.J.
ROB SWIFT
| Year | Release Title | Label | Mix Title | Length |
|---|---|---|---|---|
| 1995 | Return Of The D.J. | Bomb Hip-Hop | ROB GET'S BUSY | 00:04:07 |
| 1996 | Altered Beats | Axiom | REANIMATION | 00:04:50 |
| 1996 | Altered Beats | Axiom | ANCIENT STYLE | 00:01:13 |
| 1997 | Deep Concentration | O.M. | A TURNTABLE EXPERIENCE | 00:04:20 |
| 1997 | Pure Moods | No Label | PURE MOODS Side A | 00:31:14 |
| 1997 | Pure Moods | No Label | PURE MOODS Side B | 00:29:44 |
| 1997 | Soulful Fruit | Stones Throw | SOULFUL FRUIT Apples | 00:27:37 |
| 1997 | Soulful Fruit | Stones Throw | SOULFUL FRUIT Oranges | 00:30:18 |
| 1997 | X-Pressions | Asphodel | GET STARTED | 00:03:10 |
| 1997 | X-Pressions | Asphodel | WORD PLAY | 00:02:41 |
| 1997 | X-Pressions | Asphodel | ONE MAN BAND | 00:03:04 |
| 1997 | X-Pressions | Asphodel | THE COUNTDOWN | 00:06:34 |
| 1997 | X-Pressions | Asphodel | TURNTABLE EXHIBITION | 00:02:47 |
| 1997 | X-Pressions | Asphodel | MAD FLAVA | 00:04:34 |
| 1998 | Cue's Hip Hop Shop 1 | Dogday | BEATS FOR DAYS | 00:03:08 |
| 1998 | Deeper Concentration | O.M. | THE AGE OF TELEVISION | 00:04:30 |
| 1999 | Tale Of Five Cites | Copasetik | TALE OF FIVE CITIES | 00:08:50 |
| 1999 | The Ablist | Asphodel | DOPE ON PLASTIC | 00:02:10 |
| 1999 | The Ablist | Asphodel | WHAT WOULD YOU DO? | 00:02:13 |
| 1999 | The Ablist | Asphodel | FUSION BEATS | 00:03:48 |
| 1999 | The Ablist | Asphodel | ALL THAT SCRATCHING IS MAKING ME RICH! | 00:05:15 |
| 1999 | The Ablist | Asphodel | THIS IS OUR DAY | 00:03:58 |
| 1999 | The Ablist | Asphodel | SOMETHING DIFFERENT | 00:03:59 |
| 1999 | The Ablist | Asphodel | THE ABLIST | 00:02:13 |
| 2000 | Urban Revolutions | Future Primitive Sound | FUNKY LISTENING | 00:03:23 |
| 2001 | Turntable Essence | X-Squared | BLUES FOR BOB AND ROB | 00:06:00 |
| 2002 | Built From Scratch | Loud | INTRO | 00:01:12 |
| 2002 | Built From Scratch | Loud | X-ECUTIONERS SCRATCH | 00:03:38 |
| 2002 | Built From Scratch | Loud | A JOURNEY INTO SOUND | 00:04:32 |
| 2002 | Built From Scratch | Loud | 3 BOROUGHS | 00:01:24 |
| 2002 | Built From Scratch | Loud | X-ECUTIONERS (THEME) SONG | 00:03:19 |
| 2002 | Built From Scratch | Loud | FEEL THE BASS | 00:03:56 |
| 2002 | Built From Scratch | Loud | PREMIER'S X-ECUTION | 00:04:42 |
| 2002 | Built From Scratch | Loud | CHOPPIN' NIGGAS UP | 00:02:26 |
| 2002 | Built From Scratch | Loud | X-ECUTION OF A BUM RUSH | 00:02:58 |
| 2002 | Murder The Classix | No Label | MURDER THE CLASSIX Side A | 00:31:29 |
| 2002 | Murder The Classix | No Label | MURDER THE CLASSIX Side B | 00:26:42 |
| 2002 | Rockit | Transparent Music | ROCKIT 2.002 | 00:08:29 |
| 2002 | Sound Event | Tableturns | 2 3 BREAK | 00:03:46 |
| 2002 | Sound Event | Tableturns | THE GREAT CAPER | 00:03:39 |
| 2002 | Sound Event | Tableturns | SALSA SCRATCH | 00:04:09 |
| 2002 | Sound Event | Tableturns | THE GHETTO | 00:03:38 |
| 2002 | Sound Event | Tableturns | TRONIC | 00:03:43 |
| 2002 | Sound Event | Tableturns | TRUNK OF FUNK | 00:02:48 |
| 2002 | Sound Event | Tableturns | SOUND EVENT | 00:03:12 |
| 2003 | Many Styles | Fat Beats | THA CIPHA | 00:02:31 |
Information:
Below is a summarised biography created using Google Gemini in April 2026...
Rob Swift represents the bridge between the "street" era of DJing and the academic/artistic recognition the craft enjoys today. Born Robert Aguilar in Queens, NY, Swift didn't just play records; he treated the turntable as a legitimate musical instrument.
The X-Ecutioners & The Battle Era
Rob Swift's ascent is inseparable from the legendary X-Ecutioners (originally known as the X-Men).
The Supermen Rivalry: The crew took the name "X-Men" to counter DJ Clark Kent’s "Supermen" crew, reflecting the competitive "battle" nature of 1980s and 90s DJ culture.
DMC Dominance: Swift cemented his status by winning the DMC East Coast Championship in 1992.
Mainstream Success: He was a key architect of the group’s 2002 album Built From Scratch, which featured the hit "It's Goin' Down" with Linkin Park, bringing the technical art of "beat juggling" to a global rock and pop audience.
Technical Philosophy: The Turntable as an Instrument
Swift is often described as the "guitar hero" of the decks. He popularized several complex techniques:
Beat Juggling: Creating entirely new rhythms by manipulating two copies of the same record.
The "Movement" Approach: Unlike many DJs who focused on one-off tricks, Swift composed his sets in "movements," much like a classical composer, using motifs and recurring sounds to create a cohesive narrative.
Transition to Educator and Author
Perhaps his most unique contribution to DJ history is his role in institutionalizing the art form.
Academic Pioneer: He has taught accredited courses on the "Art of DJing" at The New School University in NYC and has lectured at major institutions like Case Western Reserve University.
Brolic Army DJ School: Swift currently serves as the Chief Academic Officer for this online institution, focusing on preserving the culture and teaching the psychology of performance.
Documenting History: His 2025 book The City of Hip-Hop and various documentaries (like Scratch) serve as vital primary sources for music journalists.